Mildred Thompson on View at SCAD Museum of Art, 2016. Image courtesy of  SCAD Museum of Art

Mildred Thompson on View at SCAD Museum of Art, 2016. Image courtesy of SCAD Museum of Art

Mildred Thompson NEWS


Women of Color Find Their Rightful Place in the History of American Abstraction

According to the Kemper Museum, Magnetic Fields is the first museum exhibit in the US to show abstract artwork created exclusively by women of color, by Karen Emenhiser-Harris, August 22 2017.



American Abstraction and Female Artists at National Museum of Women in the Arts, August 21 2017.



21 Artists You Should Know

Kemper Museum’s “Magnetic Fields” Exhibition Highlights Abstractions by Women Artists of Color, by Elisabeth Kirsch, June 30 2017.



New Orleans Museum of Art Purchases Wood Pictures for Permanent Collection, on view March 2017

NEW at NOMA: Recent Acquisitions in Modern and Contemporary Art,



Magnetic Fields, Group Exhibition at Kemper Museum, Receives Warhol Foundation Grant

Kemper Museum awarded $50,000 grant from The Andy Warhol Foundation,



Art Papers Creates Limited Edition Thompson Print for 40th Anniversary, For Sale

Art Papers Premieres Three Limited Edition Artworks,



SCAD Museum of Art Exhibition "Resonance" Reviewed in Burnaway

Art Review : The Stellar Impact of Mildred Thompson, at SCAD Museum,



Melissa Messina lectures about Mildred Thompson at the Arkansas Arts Center

Arkansas Arts Center Lecture & late Night 2016,




SCAD Museum of Art presents solo exhibition 2016,




10 February 2015, by Melissa Messina



Review: Carlos Museum’s “Creating Matter”samples Mildred Thompson’s imagery, thought

28 January 2015, by Jerry Cullum



Review: Creating Matter: The Prints of Mildred Thompson

Art Papers Magazine by Dan Weiskopf



Mildred Thompson: Making the Invisible Visible

2013,, Creative Capital : Warhol Foundation



Mildred Thompson: African American Artist in Exile

2013, by Rebecca Sherman



Mildred Thompson: DEEP SPACE

1997, The Jacksonville Museum of Contemporary Art, Forward by Henry Hood Robert Jr. (pdf)